History

Indian Village is listed on the National Register of Historic Places, the nation’s official list of properties considered worthy of preservation. The district is significant as a 20th century subdivision development that demonstrates the growth of automobile suburbs enabled by Fort Wayne’s Park and Boulevard system.

Download the Historic District Brochure (PDF)


“Fort Wayne’s Super-Subdivision”

In July 1925, the City and Suburban Building Company of Fort Wayne purchased a tract of land that had served since 1864 as the Allen County Farm for the Poor as well as the County’s Orphanage. The site was adjacent to Bluffton Road and Foster Park, important elements of the 1912 City Beautiful plan for the Fort Wayne Park and Boulevard system. The company began planning a new residential development called Indian Village.

The original promotional brochure described it as “the greatest single real estate enterprise in the history of this city, involving more ground, more money to purchase the naked land, and more money to develop, than any individual real estate enterprise of its kind.” Two hundred acres of ground comprised the subdivision, with approximately seven miles of unusually wide boulevards and streets, leaving approximately 700 extra-large homesites.

Shortly after the purchase, the buildings of the Allen County Poor Farm were razed to make room for development. The main building of the Orphan’s Home, in its beautiful surroundings of lawns and trees, was left standing to be remodeled and transformed by the Board of Park Commissioners into a Community Club House where the residents of Indian Village could unite for social functions and the discussion of matters of mutual interest.

Download the 1930 Promotional Booklet (PDF)

The Naming of Indian Village

When it came to naming the subdivision, the City and Suburban Building Company felt that the people of Fort Wayne should have a part in it. Through an advertising campaign, a naming contest was held, offering a $250 prize. Thousands of names were suggested, and thousands of people voted on them — participants came from as far away as Florida and California. The final result was the name “Indian Village,” chosen to commemorate the historic past of the land, which had long been home to Native Americans before European settlement, and their reservation afterward.

Lawrence V. Sheridan and the Landscape Plan

Lawrence V. Sheridan, a prominent Indiana landscape architect and city planner who had helped to artistically beautify some of the “miracle cities” of Florida, was hired for the planning and beautifying of the new addition as an automobile-oriented suburb. For Indian Village, Sheridan utilized the rolling topography to give graceful sweeps and curves to the broad boulevards, creating a series of arcing streets centered on a broad esplanade. Lots were designed to retain existing trees.

Civil engineer A. K. Hofer of Fort Wayne collaborated with Sheridan on the General Plan, which showed the full extent of the subdivision alongside Foster Park and the St. Mary’s River. The plan called for wide paved streets of reinforced concrete construction with non-skid surfaces, ornamental lamp posts, park strips with flowering shrubbery, and sidewalks throughout.

A newspaper article of the time stated that Hiawatha Boulevard “is destined to be one of Fort Wayne’s finest residential thoroughfares,” commenting extensively about the combined widths of the thoroughfares and the building line that created a distance of 200 feet between houses on opposite sides of the street.

The Native American Theme

This modern Indian Village was wrapped in a mythical setting inspired by Henry Wadsworth Longfellow’s epic poem “Song of Hiawatha,” based on the legends of the Ojibway Indians. The poem’s Native American names appear as the names of many of the village streets. Elaborate brick and stone entry markers with a beautifully carved Native American with an elaborate headdress define the main entry into the subdivision. A scenic grouping of concrete teepees is located on the main esplanade. These features are based on 1920s popular culture images of Plains Indians.

The City and Suburban Building Company used the Native American theme to market Indian Village as a lifestyle, a return to a quieter time, separated from the dirt and noise of the central city and the presence of smoke-belching factories. Located at the very edge of the city limits, village residents of the 1920s and 1930s nevertheless had access to three modes of modern transportation to carry them downtown to work or to shop — private automobiles, buses, and interurban rail cars. Promotional materials said that after trips to the hustle and bustle of downtown, residents could expect that “in the Indian Village you feel all the freedom and happiness of the great outdoors where the clear, clean fresh air, invigorating sunshine, and true restfulness prevail.”

Street Names and Their Meanings

StreetMeaning
Algonquin PassAn Indian tribe
Enola CourtAn Indian maiden
Hiawatha Blvd.Indian boy
Manito Blvd.Guardian spirit
Meda PassA medicine man
Muscoday PassThe meadow
Nokomis RoadA grandmother
Ojibway TrailAn Indian tribe
Opechee WayThe robin
Owaissa WayThe bluebird
Wawonaissa TrailThe whippoorwill
Wendigo LaneA giant
Wenonah LaneHiawatha’s mother

“Expect Much of Indian Village”

Using the slogan “Expect Much of Indian Village,” promotional materials noted that the development would be “distinctly modern in every detail, improved to an unusual extent, and protectively restricted to insure permanence to all the natural and artificial charms of this great residential section. Much wider and deeper lots on broad boulevards, paved streets, ornamental lamps, sidewalks, and seventeen hundred shade trees soon to be planted in addition to the wooded sections of Indian Village, are but several of the long list of improvements which are in the Indian Village development.”

The City Beautiful Movement of the early twentieth century called for the blending of natural and man-made elements to create the beautiful and modern city. This movement inspired the 1912 plan for Fort Wayne by nationally-known Landscape Architect and Planner George Kessler. The following quotes from original promotional materials illustrate the City Beautiful ideals incorporated in the planning of Indian Village:

“Nestled right in the most graceful bend of the beautiful St. Mary’s River, at perhaps the most wonderful stretch of Fort Wayne river mileage, Indian Village on one bank, looks across at Foster Park in all its wooded glory.”

“…wonderfully accessible by motor, motor bus and trolley.”

“Prevailing winds are from the southwest and west, leaving this section of Fort Wayne free from smoke and din.”

“There will be no cramping nor crowding, no narrow passageways between the homes of Indian Village.”

Smokeless Atmosphere

The clean atmosphere of Indian Village was actively protected. Not only was the subdivision far from the nearest factory, but restrictions called for the use of smokeless fuel or smoke-consuming devices in every home. The 1930 promotional booklet declared: “With the prevailing breezes in Indian Village coming from the southwest and west and over uninhabited ground, there will truly be, in Indian Village at all times — smokeless atmosphere.” A later IVCA brochure noted this meant “cleaner homes, with cleaner draperies, rugs, furniture and floors… cleaner paint and porches and less expense” for residents.

The Business Square

Away from the main residential section, in a small beautified square of its own, was planned the commercial area of Indian Village. The grocer, the druggist, the barber — the merchants of Indian Village would serve the everyday needs of the 800 families planned for the subdivision. There were also to be a filling station and a garage. No business buildings, corner stores, or gasoline stations were permitted outside the business square, and special paved parking ways were provided, divided from the main boulevard by parkways of lawns and shrubbery.

The Indian Village Office and the Catlett Painting

Situated conveniently in the heart of Indian Village, the City and Suburban Building Company erected a beautiful office building that won the admiration of citizens and passing tourists alike. Housed within it, in a most attractive setting, was a remarkable 16-foot-long watercolor painting by the renowned Gibson Catlett Studios of Chicago. The painting vividly portrayed what Indian Village would look like when completed. Thousands visited the office for the express purpose of seeing this work, and the 1930 booklet noted that “many have become boosters of Indian Village.”

High Ground and Superb Infrastructure

The promotional materials made much of Indian Village’s elevation — at 790.90 feet above sea level, it stood 37 feet higher than the Allen County Courthouse. High ground meant better natural drainage, and the subdivision’s sewer system was built to the highest standards. In a 1944 address to the Fort Wayne Board of Realtors, City Sewer Engineer James R. Hardendorf stated: “There is only one sewer district in Fort Wayne in which no remedial measures are needed. That district is — Indian Village.”

The point where the sewer mains came closest to the surface was fourteen feet, and all sewers were more than ample in size — far exceeding the older systems in other parts of the city, much of which dated from the 1890s and earlier.

Foster Park

With Foster Park just across the river, connected by a suspension foot-bridge, Indian Village residents enjoyed some of the finest recreational opportunities in Fort Wayne. Tennis courts, the new Municipal Golf Course, picnic grounds, a bridle path winding for miles along the river, outdoor ovens and tables, and a sheltered pavilion with modern facilities were all within a short walk. Both the Fort Wayne Country Club and the Orchard Ridge Country Club were just a few minutes’ drive over good roads. The 1930 booklet envisioned that “boating and canoeing will also be one of the joys some of these days of the residents of Indian Village.”


“A Great Residential District”

By the mid-1940s, Indian Village had established itself as one of the finest residential districts in Indiana. The Indian Village Community Association published a promotional booklet describing the subdivision for prospective homebuyers.

“The owners of the many charming homes happily located here, with ideals of beauty and a love of nature, appreciate the subdivision as one of the finest residential districts in Indiana,” the booklet stated. It highlighted how Indian Villagers who liked gardening found the loose, rich, sandy soil easy to work and very productive — “a delightful contrast to the hard clay generally prevailing in many other parts of the city.”

The booklet also described the IVCA’s role in protecting the community: reasonable restrictions prevented any builder from doing anything that would “mar the artistry of home designing and gardening of his neighbors,” while still protecting the liberties each homeowner desired. No billboards or advertising signs could mar the landscape. Building plans required approval from the Association, and an annual maintenance fee (originally just $5 per lot) funded care of vacant lots, snow removal from sidewalks, and maintenance of the grass and planted areas within the street boundaries.

Download “A Great Residential District” Booklet (PDF)


The Worthman Era

Development in Indian Village nearly ceased during the Great Depression. The City and Suburban Building Company lost control of the project and declared bankruptcy about 1930. By 1946, the city directory listed just 111 homes in Indian Village, with 57 lots still vacant.

Local homebuilder John R. Worthman assumed control of the Indian Village subdivision after World War II. He continued to enlarge Sheridan’s basic design with new additions, while maintaining the established street widths, tree plantings, and park strips. Restrictive covenants were used, including building set-back limits, the size and placement of homes on the lots, and a minimum home value of no less than $6,000. Worthman also continued to vary lot sizes to reduce the potential for monotonous streetscapes, disallowed fenced front yards, and prohibited commercial activity of any kind on any lot. The plat for Section C called for the establishment of an Indian Village Community Association and fixed an annual fee for the purpose of maintaining public areas.

In April 1953, plans were announced to extend the western boundary of Indian Village for platting into new home sites. The land covered about 41.8 acres and was bounded by the present city limits on the east, Engle Road on the south, and the railroads on the north and west. The annexation move was made by Worthman, allowing for 69 homes in Indian Hills and 67 in Section E — a total of over 500 lots. Four new streets would for the first time permit access to Nuttman Avenue. A school and park were also to be built. Before Indian Village Elementary School opened in 1954-55, children in the subdivision attended South Wayne School through sixth grade.

When the wave of new home-building swept over Fort Wayne after World War II, Worthman positioned his company at its apex and stayed there. To meet the rapidly growing housing needs for returning veterans, meet FHA standards, and increase the speed of construction without sacrificing quality, Worthman used an assembly-line method of completing a block of homes he called “site fabrication.” By setting up his cutting equipment on-site and establishing an assembly area within the village, his crews could cut lumber for multiple structures at the same time and frame the homes over multiple, already-prepared basements. Building clusters of similar homes with assembly-line methods realized economies of scale by minimizing loss of time through movement of crews and maximized the use of construction equipment and materials on-site. However, variations in architectural details were retained to combat the monotony associated with other period subdivisions.

The company used the “trend home” concept each year during National Home Week as the means to educate new buyers on the up-and-coming home styles and furnishings. Worthman, Inc. featured a “trend home” in the local newspaper in September each year as part of National Home Week, presenting an opportunity to showcase their wares.

Indian Village continues to provide a haven from the tribulations of today’s busy lifestyles and the noise, grit, and tension of a big city — just as it did during its early days.


Notable Homes of the Historic District

The homes below were highlighted in the City of Fort Wayne’s Historic District brochure for their architectural significance. They represent the range of styles built in Indian Village from the late 1920s through the mid-1950s — from the period revivals of the early subdivision to the modern designs of the post-war era.

Tudor Revival, c. 1931 — 2314 Indian Village Blvd.

Paul & Florence Staehle House

The Tudor style was extremely popular in the 1920s and 1930s. The steep, pointed gables; prominent chimney; stucco and half-timbered upper walls; arched entry; and multi-pane casement windows are all hallmarks of the style. The masonry walls and chimney are an interesting mix of brick and stone with “weeping” mortar designed to give the house a more romantic, rustic feeling.

Contemporary, c. 1950 — 2320 Wawonaissa Trail

Donald & Margaret Spiers House

Thoroughly modern yet influenced by the earlier Craftsman and Prairie styles, the gabled subtype of the Contemporary style features wide gables and deep eaves, often with exposed roof beams. The broad yet slender chimney with its narrow courses of stone is another character-defining feature. Donald Spiers was an office manager at IBM.

Spanish Revival, 1929 — 3710 Wawonaissa Trail

John & Margaret Banning House — Noble Miller, architect

Totally unique, this house was designed by architect Noble Miller for John Banning, Secretary and Sales Manager of the City and Suburban Company, the original developer of Indian Village. With its tower, arched windows, tile and stucco walls — which were originally tinted in green, buff, and pink — this house was and is a commanding presence at the end of the main boulevard. A 1929 newspaper feature described the home in detail: the living room featured a beamed ceiling and Spanish fireplace, with Portland cement stucco walls in “Mediterranean green, dark buff and rose pinks.” General contractor Ernest C. Heckman built the home, which included eight rooms, a two-car garage, recreation room, and two baths. The home was rated “Outstanding” in the 1996 Indiana Historic Sites and Structures Inventory.

Colonial Revival, c. 1948 — 3801 Hiawatha Blvd.

Don & Louise Vordermark House

This classic post-war Colonial features a balanced facade, multi-pane windows with decorative shutters, a classically detailed entry with a decorative pediment, minimal eaves, and a prominent chimney on the side. Mr. Vordermark was a supervisor with the Lincoln National Life Insurance Company.

Minimal Traditional, c. 1948 — 3710 Hiawatha Blvd.

Harry & Helen Plymale House

Popular through the mid-1950s, the Minimal Traditional style resulted from a general simplification in building during the economic depression of the 1930s. Houses in the style reflect preceding styles such as the Tudor or Colonial Revival, but roof pitches are lower, eaves are very shallow, and decorative detailing is minimal although there is often a large chimney. Small entry porches are common. Mr. Plymale worked for the Princess Coal Company.

Cape Cod, c. 1948 — 2251 Hiawatha Blvd.

Herbert & Rhea Thinnes House

This house form — one story with a very steep side-gabled roof, minimal eaves, and a slightly recessed side wing — was popular in Indian Village. This home features a shallow box-bay on the wing and a brick chimney enhanced with irregular pieces of stone. Herbert Thinnes was a train master for the New York Central and St. Louis railroad.

Garrison Colonial, c. 1948 — 2227 Owaissa Way

Raymond & Mary McKibben House

Popular from the 1930s through the 1950s, Garrison Colonials are defined by the second floor slightly overhanging the first. The minimal eaves, smooth concrete block construction, and geometric detailing around the front door give this house a unique, distinctly modern twist on a traditional style. Mr. McKibben was an assistant superintendent at Dana Corp.

Tudor Revival, c. 1929 — 2207 Owaissa Way

Ralph & Mabel Beatty House

The abundance of unusual details and cottage-like scale lend a storybook quality to this Tudor style home. The pointed gables, tall chimney, wing wall with arched gateway, random bricks projecting from the walls, stone details, variety of windows, and eyebrow dormer contribute to the fairytale character. A matching garage is visible from the end of the driveway. Mr. Beatty was a masonry contractor.

Colonial Revival, c. 1929 — 2120 Owaissa Way

Frank & Anna Boitet House

One of the earlier homes in the neighborhood, this Colonial features the side-gabled roof with returns, multi-pane windows, and symmetry characteristic of the style. The large brick chimney, tall corner pilasters, and the enclosed entry with doorway and narrow sidelights separated by pilasters are notable features. A variation of this house is located at 2317 Opechee Way.

Ranch, c. 1948 — 4014 Manito Boulevard

Raymond & Anna McLaughlin House

The exterior design of this simple house is surprisingly sophisticated. The front facade features a repeated pattern of broad rectangles flanked by vertical bands: the entry flanked by narrow sidelights; picture windows flanked by narrow windows; and porch openings divided by pairs of slender posts. Mr. McLaughlin was a branch manager at Fruehauf Trailer.

Ranch, 1951 — 4124 Manito Blvd.

John R. & Alice Worthman House — Worthman Trend Home

John Worthman was the prime developer of Indian Village. For his own home he adapted the typical linear plan of the popular ranch style house to an irregular lot to create a rambling, U-shaped building. As the 1951 “Trend Home,” this house was used to show off the latest innovations in building and furnishing styles during National Home Week.

Split-Level, c. 1940 — 2220 Opechee Way

Herman & Margaret Kohr House

The Split-Level style became popular as a multi-story modification of the Ranch house. It retained the horizontal emphasis, low-pitched roof, and overhanging eaves but added a two-story unit intercepted at mid-height by a one-story wing to make three floor levels of living space. The garage and family room typically occupied the lower level. This house is the only example of the style in the district.

Cape Cod, c. 1938 — 3920 Nokomis Road

James & Margaret Stephans House

With its central door flanked by two multi-pane windows, and two dormers on the steep roof slope, this Cape Cod has an appealing balance. The steeply gabled, attached garage and screened porch, both wonderful amenities, are set back from the front of the house and do not interfere with the symmetry. Mr. Stephans worked at Hillman’s China, a downtown gift shop; Mrs. Stephans was a seamstress.

Contemporary/Ranch, 1952 — 4020 Hiawatha Blvd.

Harvard & Alta Hull House — Worthman Trend Home

This unusual home has a low Ranch style section — containing the garage, recessed entry and large picture window — intersecting with a shed-roofed wing with corner windows. The interesting geometry of the design is reinforced by the broad chimney, golden brick and wide lap siding, and horizontal divisions of the windows.

Ranch, c. 1954 — 4122 Hiawatha Blvd.

Kenneth & Dorothy Robertson House

Long and rambling, this L-shaped Ranch style home features end sections that have smooth masonry walls, a deep trim band under the eaves and slightly recessed windows with shutters and decorative panels. The center section features double doors and vertical siding. Kenneth Robertson was the chief engineer at Central Soya.

Contemporary, c. 1954 — 3620 Meda Pass

James & Phyllis Mahuren House

With its “flat” roof and slab-like overhang, this variation of the Contemporary style is often referred to as American International. The use of both horizontal and vertical wood siding, high horizontal windows at the front corners, and a large picture window near the main entry further enhance the unique character of this house. Mr. Mahuren ran Prentice Products, makers of advertising displays.

Contemporary, c. 1954 — 3524 Meda Pass

Darrell & Laura Searls House

The sleek, streamlined design of this Contemporary style house features a very low gabled roof with deep eaves and an attached carport. Windows are set high in the front wall above panels of diagonal wood siding. Raised bands in the brick walls reinforce the horizontal emphasis. This house is part of a cluster of similar designs in this block. Mr. Searls was employed at Westinghouse Electric.

Indian Village Elementary School, 1954 — 3835 Wenonah Lane

Like most of the surrounding houses, the school was constructed in a low, rambling style popular in the 1950s. The building features both flat and shed roofs with thick overhangs, smooth brick walls with raised panels on the two-story section, and glass block clerestory windows and bands of metal frame windows that enhance the horizontal design. Additions to the building were made in 1955 and 1957 to accommodate the growing student population.


The historical information on this page is adapted from multiple sources including the Indian Village Historic District brochure published by the City of Fort Wayne Community Development Planning Department, original promotional materials by the City and Suburban Building Company (c. 1927-1930), and the “A Great Residential District” booklet published by the Indian Village Community Association (c. 1946). The Historic District brochure project was funded in part by a grant from the U.S. Department of the Interior, National Park Service’s Historic Preservation Fund, administered by the Indiana Department of Natural Resources, Division of Historic Preservation and Archaeology.